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Tampilkan postingan dengan label Cleveland Public Theatre. Tampilkan semua postingan
Tampilkan postingan dengan label Cleveland Public Theatre. Tampilkan semua postingan

Kamis, 06 April 2017

hello LABIO DE LIEBRE @ CLEVELAND PUBLIC THEATRE - hub


Through April 15, 2017
(216) 631-2727


Mark Horning

What this play attempts to do is to put names and personalities to what for many of us are obscure newspaper reports from other parts of the world. It does a good job at this. Through. this work, the nameless and faceless victims come alive in our minds as we begin to ask questions as to what can be done to stop these atrocities. 

To see a full review of this show, read Mark Horning's blog.

Christine Howey


Although nuance and subtlety are not the production’s long suits, this 90-minute piece eventually makes a powerful statement about tragedies that have befallen many people.

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Senin, 20 Februari 2017

hello BARBEQUE @ CLEVELAND PUBLIC THEATRE - hub



Through March 11, 2017
(216) 631-2727

Bob Abelman

Although this CPT production under Beth Woods’ direction has some difficulty reconciling the inconsistent stylings of the two acts, "Barbecue" is nonetheless a savory and satisfying offering.

To see a full review of this show, read Bob Abelman's blog here.

Roy Berko


Barbecue is the type of script that some will love, others abhor.  It is farce, which means broad, overplayed written and portrayed characters, which again, will turn some on, others off.  I found the evening funny, thought provoking, creative and effective, while recognizing its use of writing gimmicks and overly broad characterizations.  It’s worth the time to see this show!!!
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning


Consider Barbeque as a litmus test for the liberally minded. It is at the same time funny, shocking and revealing but with a farcical ring to it. While presented in a serious vein you cannot help but notice the tongue in cheek manner in which the story is carried through. It is CPT at its best.

To see a full review of this show, read Mark Horning's blog.
Christine Howey

Even with an ending that feels too pat and self-congratulatory, this is a show that will keep you laughing, intellectually involved (eventually), shocked and guessing.

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Andrea Simakis

"Barbecue" is designed to make you think and laugh out loud while you're doing it. The play never preaches but pulls no punches either, as it challenges our assumptions and unearths our prejudices, often hidden just below our friendly surfaces.  So buy yourself a ticket and get ready to get grilled.

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Rabu, 08 Februari 2017

hello I CALL MY BROTHERS @ CLEVELAND PUBLIC THEATRE - hub



February 9 through March 4, 2017
(216) 631-2727

Bob Abelman

CPT’s ‘I Call My Brothers’ offers a poignant portrait of next to normal.

To see a full review of this show, read Bob Abelman's blog here.

Roy Berko


The intention of I Call My Brothers is well justified.  Unfortunately, the script and the production do not totally accomplish the author’s goal.
  
To see a full review of this show, read Roy Berko's blog here.

Mark Horning


While the central theme of the work carries great potential, none of the sequences play out to a logical conclusion. It is just a bunch of brand new shiny metal strung up for all see but there is a disconnect with the audience as fantasy mixes with reality and a healthy dose of incomprehensible shouted Hip-Hop slam poetry thrown in for good measure. Not everyone’s cup of tea...this one.   
To see a full review of this show, read Mark Horning's blog.

Christine Howey

This script, as translated by Rachel Willson-Broyles, shifts back and forth from Amor's frightened journey through the city to his internal thoughts and memories and eventually some dream sequences. It is loaded with powerful stuff, but there is so much disconnection inherent in the staging that the play never lands the knockout blow it seems to desire.

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Rabu, 30 November 2016

hello LIGHT THE LIGHTS, OL' MOSES CLE @ CLEVELAND PUBLIC THEATRE - hub



Through December 18, 2016
(216) 631-2727

Bob Abelman
No review yet.
To see a full review of this show, read Bob Abelman's blog here.

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson
No review yet.
To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop
No review yet.

Mark Horning
For the frequent flyers of Cleveland Public Theatre this show will be nothing out of the ordinary as it is clearly directed to their niche audience. For newbie’s stumbling across the avant-garde threshold they may feel out of place in this brave new surrealistic holiday world. Enter at your own risk.  
To see a full review of this show, read Mark Horning's blog.

Christine Howey
This overly earnest and lead-footed show is about as far from a romp as a Trump cabinet nominee is from the bread line. 

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

David Ritchey
No review yet.
To see a full review of this show, read David's posts at Talkin' Broadway

Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Art Thomas
No review yet.
Click here to read the complete review at WestLife

Selasa, 18 Oktober 2016

hello 44 PLAYS FOR 44 PRESIDENTS @ CLEVELAND PUBLIC THEATRE - hub



Through October 29, 2016
(216) 631-2727

Bob Abelman

How refreshing that “44 Plays for 44 Presidents” is not only nonpartisan but downright playful.  First produced in 2002 by Neo-Futurists, a Chicago experimental theater troupe, the work is getting a wonderful staging at Cleveland Public Theatre.  

To see a full review of this show, read Bob Abelman's article here.

Roy Berko


44 PLAYS for 44 PRESIDENTS is a timely production, coming just before the contentious 2016 presidential election.  Though it is much too long, and has some staging and sound problems, history buffs should still rejoice. Others may enjoy the dancing, singing, and humor presented by the all woman cast.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning


With the Presidential election just weeks away what could be more fun than a show about Presidents?  Nobody is spared as all 44 past Presidents are lined up and examined closely (warts and all).  This fast paced production will have you laughing, thinking and perhaps making decisions as to who is worthy to lead us for the next 4 to 8 years.

To see a full review of this show, read Mark Horning's blog.

Andrea Simakis

It amounts to an evening of funny, poignant vignettes that make you think, kinda like a stump speech by Barack Obama.  Even when the mini-bios don't work--and a handful are as hard to decipher as Donald Trump's true net worth--they are buoyed by strong, witty performances.

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Minggu, 05 Juni 2016

hello LINES IN THE DUST @ Cleveland Public Theatre - hub



June 2-18, 2016
216-631-2727 or go to www.cptonline.org

Bob Abelman

Cleveland Public Theatre carves out a powerful ‘Line in the Dust.’ 

To see a full review of this show, read Bob Abelman's CJN article here.

Mark Horning

Every so often, theater does what it was intended to do…enlighten and entertain.  This show could be the spark that ignites an educational revolution in our country and even the world.  See this show, then ask yourself what is broken in our educational system and what you can do about it.

To see a full review of this show, read Mark Horning's blog.

Roy Berko


If you only see one play this year, it should be Lines in the Dust.  Because of its well-crafted writing that clearly develops Nikkole Salter’s fervent thoughts and feelings about Apartheid Schools and the people who make them happen, the play is often excruciating to watch.  The truth is painful!  The frustration of a problem with no seeming solution, and the possibility of a country operating on a Nationalistic philosophy, become truly scary!   As said, if you only see one play this year, it should be Lines in the Dust.

To see a full review of this show, read Roy Berko's blog here.

Minggu, 08 Mei 2016

hello WRESTLING JERUSALEM @ Cleveland Public Theatre - hub

May 6-22, 2016
216-631-2727 or go on line to www.cptonline.org.

Roy Berko
Raymond Bobgan, the Executive Artistic Director of CPT statesin his program notes, “Here at CPT, we truly believe art has a role to play in raising consciousness and nurturing compassion, in reckoning with some of the most challenging, personal and complex issues of our time.”  His selection of WRESTLING JERUSALEM, a thought-provoking, well written, compelling and well-performed piece of theater fulfills his beliefs.  This is a must see experience for people, no matter their cultural backgrounds. 

To see a full review of this show, read Roy Berko's blog here.

Mark Horning


“Wrestling Jerusalem” gives a non-judgmental, balanced yet passionate look at a seemingly impossible situation through the use of frank dialog between a seeker and those living within the conflict.  All who come to see this amazing show will be moved no matter what their attitudes are be they pro, con or indifferent.  Sure to be a sell-out for each performance.   

To see a full review of this show, read Mark Horning's blog.

Christine Howey

Most of the segments, however, deal with issues we’ve all heard about, and little new or surprising is uncovered. But if you’ve somehow missed all this turmoil, Wrestling Jerusalem is a dandy way to bring yourself up to date. 

To see a full review of this show, read Christine Howey's blog Rave and Pan

Rabu, 10 Februari 2016

hello MR. BURNS @ CLEVELAND PUBLIC THEATRE - hub



February 11 through March 5, 2016
216-631-2727

Bob Abelman

D’oh!  Grand ambitions, good intentions not quite realized in CPT’s ‘Mr. Burns’ 

To see a full review of this show, read Bob Abelman's CJN article here.

Roy Berko

MR. BURNS A POST-ELECTRIC PLAY is not a production that will please everyone, nor is it meant to be.  It can be obtuse, is overly long, and too reference specific.  If you are a “The Simpsons” fan, it will help you to understand the images to which the author is referring.  For the rest, it could be the basis for a discussion, an attempt to determine what Anne Washburn is trying to tell, and an adventure into the post-apocalyptic future. 
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning


If you’re looking for a friendly traditional theater experience…this ain’t it.  This is theater for those with an eclectic taste who are up to date with the latest “socially hip catch phrases.”  It is theater that some will rave about and others will rave at as it flies over their heads.  Choose wisely, grasshopper.

To see a full review of this show, read Mark Horning's blog.

Christine Howey
The playwright's reach eventually exceeds her grasp as the play limps to a curiously unaffecting end. But before that, as Homer would say: Woo-hoo! It's quite a ride.
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Kamis, 07 Januari 2016

hello FRANKENSTEIN'S WAKE @ CLEVELAND PUBLIC THEATRE - hub



January 7 through 30, 2016

216-631-2727


Bob Abelman

It’s alive!

To see a full review of this show, read Bob Abelman's CJN article  here.

Roy Berko

Raymond Bobgan, the director and the piece’s co-creator, concludes his program remarks by stating, “Perhaps, on this stage, we will reform the image of the monster made by humanity.”  Whether he and Holly Holsinger have done so depends on whether audience members are capable of grasping the duo’s intent and purpose.  Doing so is a challenge, but can be worth the effort.
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning
For those wishing to discover the true and unblemished story concerning Victor Frankenstein and his “daemon” creations,” Holly Holsinger gives an astoundingly honest portrayal of all the characters involved in what is considered the very first “science fiction” work.  With just over fifty seats available for each performance you would be advised to reserve your places early.  This is a work designed for those who like to think and are not influenced by the Hollywoodized versions of a classic morality tale.  
To see a full review of this show, read Mark Horning's blog.

Christine Howey

As the only performer, Holsinger uses her supple voice and gloriously specific, intention-driven movement to captivate the audience. 
To see a full review of this show, read Christine Howey's blog Rave and Pan

hello INCENDIARIES @ CLEVELAND PUBLIC THEATRE - hub



January 7 through 23, 2016
(216) 631-2727

Bob Abelman

“This happened.”  These are the final words in the play “Incendiaries,” which explores the race riots that tore through Cleveland’s east side Hough neighborhood in the late 1960s.  But the hope of its creators is that these won’t be the last words when it comes to public discussion about the conflict that exists between law enforcement agencies and the communities they serve.

To see a full review of this show, read Bob Abelman's CJN review here.

Roy Berko


Cleveland Public Theatre and Ohio City Theatre Project should be praised for undertaking the showcasing of an era in Cleveland history that tells an important tale.  The overall effect, except for the talk-back session, was a good example of how theater can be a conduit for sharing historical and sociological information and creating insightful intra-thought.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning


From the opening salvo of voice to the final shout of rebellion, “Incendiaries” grips you.  Be prepared for a goose bump, hair tingling, gasping in your face theater experience.  Stay for the discussion following the show to see if anything has really changed in the fifty years following the events in 1966.  

To see a full review of this show, read Mark Horning's blog.

Christine Howey

If you want to get a visceral sense of how it felt to be swept up in the Hough riots, Incendiaries will take you by the hand through that hellscape. But if you yearn for a deeper look at how that awful week damaged our city's psyche for decades to come, you may have to look elsewhere. 

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Kamis, 03 Desember 2015

hello FEEFER RISING @ CLEVELAND PUBLIC THEATRE - hub



December 3 through 19, 2015

216-631-2727 


Bob Abelman


This performance piece is an honest and intensely personal experience brought to life for public consumption.  Every moment – even the occasionally disorderly and disorienting ones – is absolutely intriguing.  


To see a full review of this show, read Bob Abelman's CJN article here.


Mark Horning


This is blunt, in your face, frank and unblinking theater designed to shock you and shake you out of your holiday reverie whether you wish to be shaken or not.  This is not theater for the timid but for the bold.  Ask yourself if you are ready before going into the theater.  Once inside, there is no turning back.

To see a full review of this show, read Mark Horning's blog.

Christine Howey

Sexuality is, of course, an intensely personal experience, and that is how it’s presented in the fascinating one-woman play Feefer Rising, now at Cleveland Public Theatre. 

To see a full review of this show, read Christine Howey's blog Rave and Pan

Jumat, 27 November 2015

hello THE LOUSH SISTERS @ CLEVELAND PUBLIC THEATRE - hub



November 27 through December 19, 2015

216-631-2727 


Roy Berko
THE LOUSH SISTERS LOVE DICK’NS: GREAT EXPECTATIONS is a fun evening of escape from shopping, decorating and the pressures of life.  Sit back and let Jolly and Holly tease and taunt you and enjoy yourself as you realize that there is a family “more dysfunctional than your own!”

To see a full review of this show, read Roy Berko's blog here.

Mark Horning


The Loush Sisters are back at Cleveland Public Theatre with their more naughty than nice take on the traditional holiday themed show.  If you’re looking for an evening that will jingle your bells in all the right places, this is the performance you have been waiting for.     
  
To see a full review of this show, read Mark Horning's blog.

Christine Howey

If the mere utterance of (naughty words) makes you laugh uproariously, you're in for a treat.

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Andrea Simakis
Like Dickens' dyspeptic Victorian miser, Holly and Jolly learn valuable lessons while crooning everything from "Like a Virgin" to "O Holy Night" and dancing to "Thriller" with red S&M ball gags in their mouths, a visual homage to Rudolph's shiny red nose.  Sonaughty. So nice.

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

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