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Tampilkan postingan dengan label Ensemble Theatre. Tampilkan semua postingan

Rabu, 22 Maret 2017

hello OCCUPATION DAD @ ENSEMBLE THEATRE - hub


March 17-April 2, 2017
Tickets:  216-321-2930
or http://www.ensemble-theatre.com

Roy Berko

“Occupation Dad” has many laughs, is often thought provoking and gets a nice production.  This is not a great script but offers a nice escapist evening of theater. 
 
To see a full review of this show, read Roy Berko's blog here.

Kamis, 02 Februari 2017

hello RADIO GOLF @ ENSEMBLE THEATRE - hub



Through February 26, 2017
(216) 321-2930
Or www.ensemble-theatre.com

Mark Horning


Radio Golf   is a morality play that pits ambition and greed against doing what is right and proper no matter what the consequences. In this day and age it is what we would call a fantasy work. Sides are being chosen, the line is drawn in the sand and we the audience gets to witness it all. An intriguing story told well and well worth seeing.  

To see a full review of this show, read Mark Horning's blog.


Roy Berko
August Wilson, who is one of the most important contemporary playwrights, shines a well-focused spotlight on the history and conflicts of the African American community.  Ensemble’s production of Wilson’s Radio Golf is a well-conceived tribute to the man and his message.  It is a must see! 

To see a full review of this show, read Roy Berko's blog here.

Christine Howey

Director Terrence Spivey once again shows he knows how to bring resonant performances out of a talented cast. And that leads to a staging of Radio Golf that, while not perfect, is thoroughly involving from start to finish.

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Sabtu, 14 Januari 2017

hello THE PHANTOM TOLLBOOTH @ ENSEMBLE THEATRE - hub



Through January 22, 2017
(216) 321-2930

Roy Berko


Ensemble Theatre should be commended for bringing live children’s theater to an audience.  There are far too few opportunities for youngsters to be exposed to the theatrical arts.  Though not a totally effective production, there is enough positive about THE PHANTOM TOLL BOOTH to encourage parents to bring their children and, hopefully, then discuss the implications of the script with them.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

If you are a young parent with small children (6 to 11) wishing to share a night of nonsense humor, puns galore and hilarious wordplay then this is a play you will not want to miss. Feed your inner child while introducing your own children to live theater.

To see a full review of this show, read Mark Horning's blog.

Sabtu, 19 November 2016

hello THE NIGHT THOREAU SPENT IN JAIL @ ENSEMBLE THEATRE - hub



Through December 11, 2016
(216) 321-2930
Or www.ensemble-theatre.com

Bob Abelman

“It’s a marvel to hear the way the words roll out,” says the illiterate Bailey after listening to the philosophical musings of his young Harvard educated cellmate early in “The Night Thoreau Spent in Jail.”  “A marvel” perfectly describes Ensemble Theatre’s eloquent staging of this loquacious, occasionally sanctimonious play originally earmarked for community and collegiate theater productions.  

To see a full review of this show, read Bob Abelman's CJN review here.

Roy Berko


A well-conceived script gets an excellent production.  It is not an escapist theatrical experience filled with laughs and physical movement, but a presentation which will please many due to its philosophical message.  It’s a must see for anyone interested in good theatre! 

To see a full review of this show, read Roy Berko's blog here.

Mark Horning
If there was ever a need to see a play, now is the time to see this one. It is a work of truth that will have everyone leaving with a tighter grip of our current state of the country and our place in it. While at time bordering on sensationalism, it manages to rein itself in before the final bow.   
To see a full review of this show, read Mark Horning's blog.

Christine Howey
The well-performed and slickly directed work frequently feels like a collection of extended Thoreau quotes has been staged, rather than a play with a coherent dramatic arc. 

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Sabtu, 01 Oktober 2016

hello MARGIN OF ERROR @ ENSEMBLE THEATRE - hub



Through October 23, 2016
(216) 321-2930
Or www.ensemble-theatre.com

Bob Abelman

Our morale has just been shaken by a disconcerting televised debate between Trump and Clinton.  So the timing of Eric Coble’s political comedy “Margin of Error” couldn’t be worse.  Still, this one-act play is beautifully constructed and Eric Schmiedl’s direction rides all its comedic rhythms at just the right pace with just the right tone.

To see a full review of this show, read Bob Abelman's article here.

Roy Berko


If viewers didn’t have a disrespect for American political campaigning before, after seeing the well-written and performed MARGIN OF ERROR, they will probably be properly disgusted.  If they had concern, now they will be filled with even more disdain.   The play fulfills one of the major purposes of theater…to make the audience think.  This is a production very well worth seeing!


To see a full review of this show, read Roy Berko's blog here.

Christine Howey

 Coble has written a tight and fiercely funny play about the way politics used to work, back when you had to be careful of every utterance should a lip slip lead to bad headlines the next day. 

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Andrea Simakis


In 'Margin of Error', Coble, a self- avowed political junkie, mainlines the stuff directly into his veins, producing an instant classic – a blazing, savagely funny indictment of a system that blithely packages and markets candidates like products no matter how toxic or faulty. 

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Rabu, 14 September 2016

hello THE BLOODLESS JUNGLE @ ENSEMBLE THEATRE - hub



September 15 through October 2, 2016
(216) 321-2930
Or www.ensemble-theatre.com

Roy Berko


The Bloodless Jungle presents an interesting political concept.  The surprise ending adds a nice touch of realism, saving the show from being a television soap opera.  This is a script in process which needs shortening and the addition of more humor and drama.  Interested in the political process and the behind the scenes machinations?  If so, you might enjoy this production.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

 With the fertilizer factories in full swing this election year, The Bloodless Jungle brings a refreshing behind the scenes look at the political process.  It is a story of true friendship, good moral values and dedication to make the world a better place…in other words a work of fiction.  Well worth the effort to see this one. 

To see a full review of this show, read Mark Horning's blog.

Christine Howey
Sometimes, the title of a play inadvertently captures its essence. And that is the case here, in a play that seems drained of its blood, and guts, in exchange for soft soap and pablum.

To see a full review of this show, read Christine Howey's blog Rave and Pan

Sabtu, 30 April 2016

hello JERUSALEM @ ENSEMBLE THEATRE - hub



Through May 21, 2016
216-321-2930
Or www.ensemble-theatre.com

Bob Abelman

Ensemble Theatre’s dark comedy strikes the perfect balance.

To see a full review of this show, read Bob Abelman's CJN article here.

Roy Berko


JERUSALEM is an award winning play that gets an Ensemble production which tries hard but simply doesn’t reach the performance level the script deserves. Unfortunately, the feeling of “who cares about these people and what happens to them,” permeates.  That’s not what the author intended.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

“Jerusalem” is another in a line of socially reflective productions highlighting the downfall of civilization through an overwhelming hedonistic society that is standing toe to toe with the old guard who is there to resist the downward spiral of decadent change.  Depending on your point of view you will either love it or hate it.  No matter what, see it for the excellent performances and fascinating patter and word play. 

To see a full review of this show, read Mark Horning's blog.

Christine Howey
While it doesn’t entirely succeed, due to a multiplicity of factors, there are some sparkling moments that are swept along on the sheer bravado of attempting the piece in the first place.

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Andrea Simakis


With 14 characters (plus a fish and a turtle) and running almost three hours, "Jerusalem" delights in its heft and size.

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Rabu, 03 Februari 2016

hello GOLDEN LEAF RAG TIME BLUES @ ENSEMBLE THEATRE - hub



February 5 through 28, 2016
216-321-2930
Or www.ensemble-theatre.com

Roy Berko

GOLDEN LEAF RAG TIME BLUES is, at best, a work in progress.  The writing fails to grab and hold attention, leaving the cast with little opportunity to develop much in the way of depth of character.  The production team and cast give all they can in staging, but are left with little reward.  Ensemble should be praised for attempting to give life to a new play. 
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning

If you have a premium baby sitter who charges an extortionist rate and you seek a short evening of entertainment, this is the play for you.  The show does raise the question…”Why Bother?”

To see a full review of this show, read Mark Horning's blog.

Christine Howey

The entire play feels disassembled, similar to the odd, two-word spelling of ragtime in the title. Like a not particularly entertaining skit, Golden Leaf is short, predictable and without any real depth.

To see a full review of this show, read Christine Howey's blog Rave and Pan

hello SLOW DANCE ON THE KILLING GROUND @ ENSEMBLE THEATRE - hub


February 5 through 28, 2016
216-321-2930
Or www.ensemble-theatre.com

Bob Abelman

‘Slow Dance’ stumbles despite graceful Ensemble Theatre production. 

To see a full review of this show, read Bob Abelman's blog here.

Mark Horning


“Killing Ground” may not be everyone’s cup of tea, but it should be seen for the excellent performance values and fascinating characters.  While the baring of souls by three total strangers may seem a bit farfetched, the pacing and acting helps bring a sense of believability to the production.  At the intermission you will be wondering what direction this show will go and look forward to the journey.
  
To see a full review of this show, read Mark Horning's blog.

Christine Howey

While the play frequently creaks with age, the three performers under the expressive direction of Greg White find some surprising nuances hiding in the creases.

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Kamis, 03 Desember 2015

hello THE LION, THE WITCH & THE WARDROBE @ ENSEMBLE THEATRE - hub



December 4 through 13, 2015
216-321-2930
Or www.ensemble-theatre.com

Roy Berko


Ensemble Theatre’s THE LION, THE WITCH AND THE WARDROBE is a delightful staging of one of the books in THE CHRONICLES OF NARNIA series where we visit the land of talking animals and mythical creatures and the White Witch has ruled for 100 years of deep winter.  The intergenerational cast is excellent, the costumes and special effects pleasing, and the overall effect makes for a charming theater experience.  It is hoped that Ensemble continues the concept of having family shows like this during future holiday seasons.

Senin, 02 November 2015

hello AGES OF THE MOON@ENSEMBLE THEATRE - hub



November 13 through December 6, 2015

 216-321-2930

Bob Abelman

Ensemble Theatre’s ‘Ages of the Moon’ lacks gravitational pull.

To see a full review of this show, read Bob Abelman's CJN article here.

Roy Berko

AGES OF THE MOON is a typical Sam Shepard play.  The characters are well-etched, hard to love or even like, and leave us with a lesson of abject frustration as to why some people lead lives of little meaning or purpose.  It’s a script for those who like raw, well performed theater.

To see a full review of this show, read Roy Berko's blog here.

Christine Howey
While it doesn't delve boldly into its themes, Shepard's signature language — crackling sharp and often impulsively amusing — still manages to tickle the ear with its unexpected rhythms.

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

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